![]() ![]() Now, seven years later, Turnover are releasing Myself in the Way-a continuation of the sonic blueprint they’ve harvested as their own, a full adoption of how the foundations of pop music run like electrical currents through the wires of emo lyricism. It felt really natural, and it felt like something we hadn’t felt in a while.” “We were just writing and having a good time. I can’t believe the effect it’s had on people.” “It was definitely a huge surprise, and I’m still surprised seven years down the line. “I was just like, ‘Holy shit, what is happening?’” Getz recalls. But when Turnover embarked on a European tour in the fall of 2015, every show was sold out and the crowds embraced the new material with a warmth the band had never experienced before, as if in only a few short months the songs had changed-or even saved-their lives somehow. The initial reaction to the record wasn’t imminent, as internet culture had not yet parlayed into the instant gratification machine it’s now become on record release cycles. “, ‘It’s a coin toss: People might hate it, people might love it, but it’s fun for us to play, so we’re gonna do it,’” Getz says. There was hesitation involved, worries that the transition might not stick the landing among their audiences. It wasn’t a deliberate detour from the heaviness of their 2013 debut Magnolia, but rather Getz, his brother Casey, and Danny Dempsey harnessing their interests and making music that sounded like what they were stoked about as a collective. Peripheral Vision became a modern classic that still doesn’t fit into a singular box. ![]() ![]() We were at the tail end of making alternative rock and none of us were feeling super inspired by it anymore.” It was college time, and everyone was going in different directions. ![]() “Both of our previous guitarists had just left the band. “It was such a tumultuous time,” lead vocalist and guitarist Austin Getz tells me of how the future of Turnover was flirting with the uncertain in those years. The album saw the Virginia Beach quartet take the schematics of their emo lyrics and translate them into an ethereal, dream-pop architecture. Album DescriptionIf you’ve ever fallen down a rabbit hole of emo or indie rock content creators on TikTok, you probably have a For You page that every so often brandishes a video praising Turnover’s 2015 breakout record Peripheral Vision. See More Your browser does not support the audio element. Turnover have expanded their range with Peripheral Vision, and this new direction agrees with them. Most of the songs like "Cutting My Fingers Off" and "Like Slow Disappearing" ride a midtempo wave of understated, late-summer melancholic pop, stripping away much of the angst and putting the focus on their improved and far more subtle songcraft. Standout track "Humming" is a melodic, sundazed gem full of rich harmonies and thoughtful, chiming riffs. Working again with producer Will Yip (Title Fight, Circa Survive), Turnover have dialed down the distortion and attitude in favor of a highly textural dream pop/shoegaze-inspired sound. While their 2013 debut album, Magnolia, showed a more brooding, melodic side, there was little to indicate the new direction they would take on their surprising 2015 follow-up, Peripheral Vision. Virginia Beach quartet Turnover originally came out of the pop-punk scene, crafting a heavy, emo-inspired EP in 2011 and signing with Boston indie Run for Cover Records shortly afterward. Purchase and download this album in a wide variety of formats depending on your needs. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |